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gurixandClaude Opus 4.6 dddfb1b444 docs: update README and PROJECT.md to reflect Phase 6 completion
Add custom sound configuration section covering TOML config files,
auto-discovery, available waveforms, and validation behavior. Update
flags table, project structure, dependencies, and sound design table
with accurate frequencies. Add README update step to evolution checklist.

Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
2026-03-26 21:14:30 +01:00

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# NetSynth
**Turn network traffic into ambient sound.**
NetSynth captures live network traffic (or reads pcap files), classifies packets by protocol, and synthesizes an ambient MP3 soundscape where each traffic type produces a distinct harmonic drone. A ping sounds different from HTTPS noise, which sounds different from a port scan.
Run it, let it listen, press Ctrl+C, get an audio fingerprint of your network.
## Quick Start
```bash
# Live capture on eth0 (requires root or CAP_NET_RAW)
sudo netsynth -i eth0
# Press Ctrl+C after a few seconds → saves netsynth-<timestamp>.mp3
# Sonify a pcap file (no privileges needed)
netsynth --read capture.pcap -o output.mp3
# Filter to DNS traffic only
sudo netsynth -i eth0 --filter "port 53" -o dns.mp3
# Use a custom sound config
sudo netsynth -i eth0 --config my-sounds.toml
```
## Installation
### Prerequisites
- Go 1.24+
- C compiler (GCC or Clang) — required for MP3 encoding (CGo)
### Build from Source
```bash
git clone https://codeberg.org/gurix/yoloyolo.git
cd yoloyolo
go build -o netsynth ./cmd/netsynth
```
For a smaller binary:
```bash
go build -ldflags="-s -w" -o netsynth ./cmd/netsynth
```
### Privileges
Live packet capture requires elevated privileges on Linux:
```bash
# Option A: run as root
sudo ./netsynth -i eth0
# Option B: grant capability (preferred)
sudo setcap cap_net_raw=eip ./netsynth
./netsynth -i eth0
```
## Usage
```
netsynth [flags]
```
| Flag | Description |
|------|-------------|
| `-i`, `--interface` | Network interface to capture on |
| `--read` | Read packets from a pcap file instead of live capture |
| `-o`, `--output` | Output MP3 file path (default: `netsynth-<timestamp>.mp3`) |
| `--filter` | BPF filter expression, tcpdump syntax (e.g. `"port 53"`) |
| `--config` | Path to a TOML config file for custom sound mappings |
| `--verbose` | Print per-window protocol activity to stderr |
| `--list-interfaces` | List available network interfaces and exit |
### Examples
```bash
# Capture all traffic, verbose per-window output
sudo netsynth -i wlan0 --verbose
# Only HTTPS traffic
sudo netsynth -i eth0 --filter "tcp port 443" -o https.mp3
# Sonify a Wireshark capture (output derived: capture.pcap -> capture.mp3)
netsynth --read capture.pcap
# Filter a pcap file to UDP only
netsynth --read traffic.pcap --filter "udp" -o udp-only.mp3
# Use a custom sound config
sudo netsynth -i eth0 --config ~/my-sounds.toml
```
## Custom Sound Configuration
NetSynth supports TOML config files to override the default sound mappings per traffic class. You can change the frequency and waveform for any class without affecting the others.
### Config File Discovery
NetSynth looks for config files in this order (first found wins):
1. `--config <path>` flag (error if file does not exist)
2. `./netsynth.toml` in the current working directory
3. `~/.config/netsynth/config.toml`
If no config is found, NetSynth starts silently with built-in defaults.
### Config File Format
```toml
# Override sound settings per traffic class.
# Only the fields you set are changed — everything else keeps its default.
[sounds.ICMP]
frequency = 80.0 # Hz (default: 65.0)
waveform = "triangle" # sine, square, sawtooth, or triangle
[sounds.HTTPS]
frequency = 200.0
[sounds.DNS]
waveform = "square"
```
### Available Traffic Classes
`ICMP`, `DNS`, `HTTPS`, `HTTP`, `SSH`, `SMTP`, `NTP`, `DHCP`, `OtherTCP`, `OtherUDP`, `Unknown1`, `Unknown2`, `Unknown3`, `Unknown4`
### Available Waveforms
| Waveform | Character |
|----------|-----------|
| `sine` | Pure, clean fundamental tone |
| `square` | Hollow, buzzy (odd harmonics) |
| `sawtooth` | Bright, rich (all harmonics) |
| `triangle` | Soft, mellow (odd harmonics, fast rolloff) |
All waveforms use bandlimited additive synthesis to prevent aliasing artifacts.
### Validation
- **Unknown keys** are rejected at startup with an error naming the bad key (catches typos like `frequncy`)
- **Unknown class names** produce a warning but do not prevent startup
- **Invalid waveform values** are rejected with a clear error
## How It Works
NetSynth processes traffic through a four-stage pipeline:
```
Capture -> Classify -> Aggregate -> Synthesize -> MP3
```
1. **Capture** — Packets are read from a live interface (via [go-pcap](https://github.com/packetcap/go-pcap)) or a pcap file. Optional BPF filtering reduces the stream to traffic of interest.
2. **Classify** — Each packet is matched against 12 protocol rules (ICMP, DNS, HTTPS, SSH, HTTP, SMTP, NTP, DHCP, etc.). Unrecognized traffic is deterministically hash-bucketed into 4 "unknown" classes so it still produces distinct sounds.
3. **Aggregate** — Classified packets are grouped into 500ms time windows. Each window records per-protocol packet counts that drive synthesis amplitudes.
4. **Synthesize & Encode** — Each traffic class maps to an oscillator at a specific frequency, waveform, and stereo position. Amplitudes rise and fall via EMA smoothing based on traffic volume. All layers are mixed and encoded to MP3 via [LAME](https://github.com/sjzar/go-lame).
### Sound Design
| Traffic Class | Frequency | Character |
|--------------|-----------|-----------|
| ICMP (Ping) | 65 Hz | Deep, distinctive ping tone |
| DNS | 110 Hz | Quick lookup sound |
| HTTPS/TLS | 175 Hz | Steady drone (bulk traffic) |
| HTTP | 220 Hz | Warm web traffic hum |
| SSH | 330 Hz | Distinct interactive tone |
| SMTP | 440 Hz | Mail delivery tone |
| NTP | 520 Hz | Time sync pulse |
| DHCP | 600 Hz | Network setup sound |
| Other TCP | 700 Hz | Generic TCP hum |
| Other UDP | 780 Hz | Generic UDP hum |
| Unknown 1-4 | 8621047 Hz | Dissonant, attention-grabbing |
Sustained traffic sounds louder; quiet periods fade to silence. The result is a unique audio fingerprint of your network activity. All frequencies and waveforms can be overridden via the [config file](#custom-sound-configuration).
## Project Structure
```
cmd/netsynth/ CLI entry point (Cobra)
capture/ Packet capture, BPF validation, pcap file reading
classify/ Protocol classification rules and types
aggregate/ Time-window aggregation and summary output
synth/ Oscillators, waveforms, EMA layers, stereo mixer, tone bank
config/ TOML config loading, validation, and partial merge
encode/ MP3 encoding via embedded LAME
```
## Dependencies
| Library | Purpose |
|---------|---------|
| [gopacket/gopacket](https://github.com/gopacket/gopacket) | Packet decoding |
| [packetcap/go-pcap](https://github.com/packetcap/go-pcap) | Pure Go live capture (no libpcap) |
| [sjzar/go-lame](https://github.com/sjzar/go-lame) | MP3 encoding (embedded LAME C source) |
| [spf13/cobra](https://github.com/spf13/cobra) | CLI framework |
| [BurntSushi/toml](https://github.com/BurntSushi/toml) | TOML config parsing |
No runtime dependencies beyond the compiled binary. CGo is required at build time only (for LAME).
## Testing
```bash
go test ./... -v
```
All tests run without root privileges (capture tests use mock data and programmatically generated pcap files).
## License
See [LICENSE](LICENSE) for details.